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Posts Category: REVIEW

DDD 10月号

REVIEW

Aug 31st, 2018

新日本フィル×鈴木ユキオ「すみだサマーコンサート」@すみだトリフォニーホールのレビュー記事が、DDD10月号(vol.83)に掲載されました!

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朝日新聞:PMF開幕 関連企画が多数 22カ国から集まった98人の「アカデミー生」らがつくるPMFオーケストラが、若々しくエネルギーあふれる演奏を披露。 アンコールでは指揮者の原田慶太楼さん(33)の提案で、「ハッピーバースデー・トゥー・ユー」をオーケストラの演奏に乗せて会場全体で合唱し、バーンスタイン100歳を祝った。 舞台にはバーンスタインの長女・ジェイミーさんも登場。続けて演奏されたバーンスタイン作曲の「マンボ」では、オーケストラと一緒にかけ声を上げた。   北海道新聞:バーンスタインの心 継ぐ

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The San Francisco Classical Voice has published a review of Keitaro’s debut with the Berkeley Symphony Although his Symphonie fantastique was written just a few years after the death of Beethoven, Berlioz’s imagination resonates as timeless,

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Klaus Billand has published a review of Keitaro’s debut with Sofia National Opera.  

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The performance was precisely led by Keitaro Harada, associate conductor of the Cincinnati Symphony. To read the complete review by Janelle Gelfand, click here. Keitaro Harada conducted, with the band off to the side of the

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Harada showed that he is a skilled sound-painter in the first three interludes: “Dawn,” “Sunday Morning” and “Moonlight.” In the fourth, “The Storm,” he was able to cut loose with a demonstration of raw power.

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From the moment guest conductor Keitaro Harada’s baton came down on the Boise Philharmonic on Saturday night, you could feel the electricity in the air. It was going to be a special night. To read the full

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Harada was at the podium, bouncing on the balls of his toes, flailing his arms in time to Bizet’s racing score. The Cincinnati Symphony associate conductor, leading without a score, pointed to his left and

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Conductor Keitaro Harada made an arresting debut Saturday night in an ebullient performance with the West Virginia Symphony at the Clay Center. The 31-year-old Harada’s approach to Dvorak’s Symphony No. 8 in G major featured

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Conductor Keitaro Harada gave a balanced reading of the score that had a lucidity of musical detail and a good helping of emotional tension. He gave every phrase its proper shape and drew especially fine

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