LOADING

Posts Category: REVIEW

The San Francisco Classical Voice has published a review of Keitaro’s debut with the Berkeley Symphony Although his Symphonie fantastique was written just a few years after the death of Beethoven, Berlioz’s imagination resonates as timeless,

READ MORE...

Klaus Billand has published a review of Keitaro’s debut with Sofia National Opera.  

READ MORE...

The performance was precisely led by Keitaro Harada, associate conductor of the Cincinnati Symphony. To read the complete review by Janelle Gelfand, click here. Keitaro Harada conducted, with the band off to the side of the

READ MORE...

Harada showed that he is a skilled sound-painter in the first three interludes: “Dawn,” “Sunday Morning” and “Moonlight.” In the fourth, “The Storm,” he was able to cut loose with a demonstration of raw power.

READ MORE...

From the moment guest conductor Keitaro Harada’s baton came down on the Boise Philharmonic on Saturday night, you could feel the electricity in the air. It was going to be a special night. To read the full

READ MORE...

Harada was at the podium, bouncing on the balls of his toes, flailing his arms in time to Bizet’s racing score. The Cincinnati Symphony associate conductor, leading without a score, pointed to his left and

READ MORE...

Conductor Keitaro Harada made an arresting debut Saturday night in an ebullient performance with the West Virginia Symphony at the Clay Center. The 31-year-old Harada’s approach to Dvorak’s Symphony No. 8 in G major featured

READ MORE...

Conductor Keitaro Harada gave a balanced reading of the score that had a lucidity of musical detail and a good helping of emotional tension. He gave every phrase its proper shape and drew especially fine

READ MORE...